‘Aotearoa, Middle Earth or No Man’s Land: Lilburn and the Search for Identity’ in Searches for Tradition: Essays on New Zealand Music, Past & Present eds. Michael Brown and Samantha Owens (Wellington: Victoria University Press, 2017), pp. 239-255
‘The Violin in Italy during the Baroque Period’, in The Violin ed. Robert Riggs (Rochester, NY: University of Rochester Press, 2016), pp. 63-94
‘Vincenzo Manfredini’s 1778 “Italian” Quartets’, in Vincenzo Manfredini: Regole Armoniche, ed. Massimiliano Sala (Turnhout: Brepols, 2013), pp. 73-101.
‘The Road to Emulation: Geminiani’s Elliptical Instructions’, in Geminiani Studies, ed. Christopher Hogwood (Bologna: Ut Orpheus, 2013)
‘Opus 1, take 2: Mozart’s Mannheim and Paris sonatas for keyboard and violin’, in Mozart’s Chamber Music with Keyboard ed. Martin Harlow (Cambridge: CUP, 2012), pp. 45-68.
‘Instrumental Performance in the “long eighteenth century’”, in The Cambridge History of Musical Performance ed. Colin Lawson and Robin Stowell (Cambridge: CUP, 2012), pp. 527-51.
‘ “Truth” in the Discours au vray: the printed record for Renaud’; ‘The instrumentalists: aspects of performance practice in the early ballet de cour’; ‘Sources for dance music in the ballet de cour’; all in Greer Garden (ed.), La Délivrance de Renaud: Ballet Dansé par Louis XIII en 1617 (Turnhout, Belgium: Brepols, 2010), pp. 3-6, 77-82, 149-55.
‘Lanier and the Courtly Masque’, in Mark Weiss (ed.), Nicholas Lanier 1588-1666: a Portrait Revealed (London: The Weiss Gallery, 2010)
‘Constructing the Archangel: Corelli in 18th-Century Editions of Opus V.’ Arcangelo Corelli: Fra Mito E Realtà Storica. 2 vols. Eds. Gregory Barnett, Antonella D’Ovidio and Stefano La Via. Vol. 1. Florence: Olschki, 2007. 233-52.
‘Historical Performance and the Modern Performer’, in Musical Performance: A Guide to Understanding, ed. John Rink (Cambridge: Cambridge University Press, 2002), pp. 17-34. Spanish translation, ‘La interpretación histórica y el intérprete moderno’, in La Interpretacion Musical, ed John Rink (Alianza Musica, 2006), pp. 35-54.
‘Geminiani and the Role of the Viola in the Concerto Grosso’, in Liber Amicorum John Steele: a Musicological Tribute, ed. Warren Drake (New York: Pendragon, 1997), 379-413.
‘Music in London 1603-1649’, in The Early Baroque Era, ed. Curtis Price, Man and Music series (London, Macmillan, 1993), 270-304.
‘Comus : The court masque questioned’ in The Well Enchanting Skill (essays in honour of F.W. Sternfeld). Oxford: Clarendon Press, 1990, 107-113.
‘The Baroque Era: Strings’ in Performance Practice: Music after 1600 The New Grove Handbooks in Music, ed. Howard Mayer Brown & Stanley Sadie. London: Macmillan, 1989, pp.44-79 & 501-3.
‘Insubstantial Pageants Preserved: the Literary and Musical Sources for the Jonsonian Masque’, in Jonson and Shakespeare, ed. Ian Donaldson. London: Macmillan, 1983, 202-18.
‘La chanson dans les masques à la cour de Jacques Ier d’Angleterre : The Music of the King’s Peace’ in La Chanson à la renaissance, ed. J-M Vacarro. Luynes, France: Editions Van de Velde, 1981, pp. 190-208. The same article appeared as ‘La Musica della pace regale’. Mitologia convivenza di musica e mitologie, ed. Giovanni Morelli. Venice, 1979, 46-58.
Contributions to The New Grove Dictionary of Music and Musicians
2nd ed. (London: Macmillan, 2001; and www.grovemusic.com)
Area Advisor on Historical Performing Practice
(a) New (major) articles: Violin [history c. 1600-1810];Ornamentation [Italian baroque section], Fingering [violin family section]
(b) Revisions of Longer Articles: Bow ii; Matteis, Nicola; Multiple Stopping; Performing Practice 5; Senaillé; Violin i, 1-2Revisions of Short Articles: Abstrich; Action; Aufstrich; Bariolage; Bridge; Chin rest; Col legno; Coup d’archet; Craquer; Encore; Jeté; Lireggiare; Lourer; Ondulé; Picquer; Pointer; Saccadé; Sautillé; Spiccato; Strappato; Stricciate
Also Simpson, Adrienne Marie (new article)
Contributions to the (U.K.) Oxford Dictionary of National Biography
Baltzar, Thomas (c. 1630-1663); Banister, John (1624/5-1679); Brade, William (c.1560-1630); Coleman, Edward (bap. 1622-1669); Matteis, Nicola (fl. C. 1670-c. 1698); Mell, Davis (1604-1662); Urquhart, Thomas (c. 1698?)
Contributions to Te Ara – The Encyclopedia of New Zealand
Orchestras (https://teara.govt.nz/en/orchestras).; Classical Musicians (https://teara.govt.nz/en/classical-musicians)